updated skills
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@@ -73,4 +73,4 @@ The distortion stage is a `tanh` soft-clip with parallel dry/wet routing — sam
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The low-pass is a one-pole filter (the same shape used by `MicrophoneSimulationPlugin`), and the reverb is a short feedback delay (`REVERB_DELAY_MS = 30 ms` per channel). Both are intentionally simpler than their dedicated sibling-plugin counterparts because the GLaDOS character does not need surgical control — the user wants "more or less" of each colour, not a fully parametric filter and convolution.
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Preset application replaces the *entire* config in one shot via `{ ...PRESETS[preset] }`. Individual setter overrides applied after `applyGladosPreset` will stick; the next preset application replaces them. The preset payload encodes both the preset name and the live config so `applyPreset(snap)` restores any per-stage overrides made after the preset was originally applied.
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Preset application replaces the _entire_ config in one shot via `{ ...PRESETS[preset] }`. Individual setter overrides applied after `applyGladosPreset` will stick; the next preset application replaces them. The preset payload encodes both the preset name and the live config so `applyPreset(snap)` restores any per-stage overrides made after the preset was originally applied.
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